The marketing for Spider-Man: Homecoming relied on music from the start, with posters and magazine covers featuring our brand shiny new Spider-Man lounging in front of the NYC skyline, headphones on (SONY brand, by the way, in case you missed my mention of marketing). Looking at the former, music was central to the film before anyone knew what they were going to hear. While their use of music is almost incomparably different, both films utilize it perfectly to enhance the story at hand. This is clear when speaking about two of the summer’s biggest blockbusters – Dunkirk, Christopher Nolan’s epic World War II thriller, and Spider-Man: Homecoming, the reboot we didn’t think we needed but absolutely deserved. Captivation often relies on more than just picture, though, and that’s why the best movies are often accompanied by the best soundtracks or scores. Audiences have piled in for hits both likely and unlikely Baby Driver, Wonder Woman, and The Emoji Movie (totally kidding about that last one) have all captivated viewers. After a disappointing 2016, 2017 has restored the summer movie season to its former glory.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |